Friday, July 4, 2014

Music Streaming Eats Downloads With On-Demand Up 42% Over 2013, Digital Sales Down 12%





Nielsen’s U.S. music report on the first half of 2014 shows digital music consumption rapidly shifting from downloads to streaming. On-demand streaming was up 42% over the first half of 2013, racking up 70 billion play in the first half of 2014. Meanwhile, digital track sales fell 13% to 593.6 million and album sales fell 11.6% to 53.8 million. The report on US trends (not international) makes Apple’s acquisition of Beats looks smart, as its iTunes download sales model is quickly dying out. As a whole, dismal digital and physical sales dragged total music sales plus streaming industry down 3.3%.
Back in the analog world, hipsters are making a serious impact as vinyl sales rose 40% over 2013 to 4 million in the first half of this year. That’s the only medium where sales grew.

[Update: It's important to note that abroad, where iTunes is available in 83+ countries and streaming services often aren't, the download may survive longer.]
Music Sales And Streaming Numbers
beats-personalizationIf you use the standard 10X multiplier convert album sales to tracks, you get a combined 1.131 billion songs sold in the first half of 2014, down 12% from that period in 2013.
While YouTube’s music videos have been strong provider of music streaming for years, the rise of apps like Spotify is pushing on-demand audio music streaming to grow faster (+50%) than video (+35%). The two are now nearly the same size, as 33.65 billion songs were streamed in the first half of 2014, compared to 36.64 billion music video streams. At this rate, pure audio streaming will overcome music video streaming in the U.S. by the end of 2014. Internationally, where many of the top streaming apps aren’t always available, YouTube is probably still a bigger chunk of consumption.

You can see Nielsen’s full report here:

The State Of MusicTech

The music industry’s rapid recent changes make more sense after looking at this report. With the death of the download and the rise of the stream, power is up for grabs. While iTunes and to a lesser extent Amazon ruled the age of the legal download, Spotify, Google Music, and Beats are poised to reign over the streaming era.
That’s why Apple bought Beats. A source close to iTunes’ executives told me before the acquisition that Apple didn’t want to shock users and the music industry’s bottom line by suddenly converting iTunes into a streaming service. Instead, it bought Beats to allow for a graceful transition, permitting late-adopters to stick with the familiar a la carte download model while early adopters moved to Beats’ all-you-can-hear streaming subscription.
milk_music_-_with_dial_-_foster_the_peopleGoogle just acquired contextual playlist app Songza to bolster its bolster its on-demand Google Music All-Access streaming service. Google’s combatant looked a bit dry before, especially compared to Beats’ focus on expertly crafted playlists for different themes, situations, and moods. Now Google Music has a more human understanding of what people want to hear and when.

Spotify has raised over a half a billion dollars, making it too big to buy for all but the biggest players like Google, Microsoft, and Facebook. At this rate it’s going to fly independent into an IPO, though that could be tough to sell since it’s saddled with high royalty rates that scale alongside it’s popularity. Spotify bought data provider EchoNest earlier this year, and is now experimenting with an API that let’s users play their Spotify music through third-party apps. Becoming the legal backbone of music streaming in tons of apps could make its subscription more attractive to users, and I see developing an ecosystem of niche music apps around it as high-potential way to fight the platform owners.

Samsung is trying to popularize its own device-specific music service with Milk, but since its phones run Android, it highly vulnerable to Google’s native offering. While Pandora still has a huge user base, personalized radio has been commoditized and bolted on in the form of iTunes Radio and Spotify’s ad-supported version. Meanwhile, Pandora’s licensing model doesn’t allow it to offer on-demand song choices like they do, which is why I foresee it struggling in years to come.

songza-music-conciergeSoundCloud offers on-demand streaming of songs and long mixtapes that users and artists upload themselves. It’s seen labels cracking down on unlicensed streaming through the app, which is trying to build out its own advertising system. While music fans view it as an authentic place to connect with artists, it’s still figuring out how to become a succesful business. The “YouTube of music” might benefit from being acquired, though Twitter recently passed on the idea, which I believe was because it needed to spend the money to get its own monetization squared away by buying ad tech companies instead.
Amazon just launched its Prime Music on-demand service.

 But rather than trying to win over serious music fans, it’s using it to simply add value to Prime subscriptions that help it earn money by selling physical goods.



It’s more of a threat to services courting casual listeners like Pandora who just want to hear something and aren’t too picky. YouTube is expected to launch its on-demand music streaming subscription service soon as a complement to its ad supported music video streaming that gets little press but is extremely popular, especially with kids. While the on-demand service has a tough uphill climb ahead given Google already has its native Music All-Access service to promote, its free browser-based videos reduce the need to pay for a dedicated music app.

In 15 years we’ve gone from CDs to Napster piracy to iTunes downloads to Pandora radio to YouTube’s music video streaming to Spotify’s audio streaming app. Perhaps the next shift will finally see the labels loosen their death grips and allow a cornucopia of music discovery apps to flourish atop a few legal rights holders so everyone can get a listening experience that’s their jam.

Source: TechCrunch




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Facebook Becomes A Local Party Discovery Tool With “Events For You” Redesign


Just because you weren’t invited, doesn’t mean Facebook can’t help you crash the party. Facebook Events on the web got a slick visual overhaul today that includes a new “Events For You” tab that recommends gatherings it thinks you’ll enjoy, even if no one invited you, friends aren’t going, and you’ve never been to the venue. Rather than just being a calendar of your invites and a few suggestions based on what friends are doing, Facebook is now applying everything it knows about you to get you out of the house and somewhere fun…where you can take photos and post them to Facebook.

Events RedesignAfter we spotted the unannounced redesign today, Facebook confirmed to me it’s testing it with some users globally before a mid-paced rollout to everyone in the coming weeks. A similar design for Events will be coming to Android and iOS later this year too. You can see how it looks on web above.

The main Events feed now has a much cleaner, more condensed, iOS7-ish feel to it. A tabbed interface lets you quickly jump back and forth between All your events, Invites, events you’ve “Saved” but not RSVP’d to, and ones you’re “Hosting”. A shortcut on the right lets you hop immediately into past events or the creation flow. The design makes it much easier to manage invites because they get a dedicated space, instead of being meshed in with ones you’ve already accepted or declined.

But what’s really important here is Facebook’s concentration on Event discovery. The new “Events For Your” section on the right sidebar that can be opened into a list has more suggestions based on a lot more data. A Facebook spokesperson tells me “The recommendations you see are based on the information you have shared with Facebook (i.e., Pages you like, groups and communities you’re a part of, events that friends are attending), and other relevant contextual information such as day of the week and location.”
Facebook Events For You

Essentially, Facebook can look at an Event, assess what it’s about and who is already going, and use that demographic and interest data to match it to more potential attendees. This is much more powerful than when Facebook dipped its toes into recommendations back in 2011. Facebook Events will now compete with a host of Event discovery apps ranging from catch-all services like YPlan, Applauze, Fever, and Eventful to focused ones like WillCall, Seatwave, and StubHub’s Showdrift for music and Sosh for cultural events. Bafflingly, Eventbrite still does a mediocre job of event recommendations despite having such a strong database of local happenings.
Facebook’s push into event discovery could be big for a few reasons. First, I think this looks rich enough to become its own standalone app. Some people aren’t avid News Feed readers and do their messaging elsewhere, but they have to use Facebook because of Events. Otherwise, their meatspace social life could suffer.


WillCall and Applauze take a highly stylized approach to Event discovery, compared to Facebook’s utilitarian approach
WillCall and Applauze take a highly stylized approach to Event discovery, compared to Facebook's utilitarian approachCEO Mark Zuckerberg told me in an on-stage interview last year that certain Facebook features buried in its interface like Groups would benefit from having their own standalone apps, and I think this applies to Events as well. He said “…if you have something like Groups, it’s always going to be kind of second-class in the main Facebook app, or even messaging for that matter. In order to make these things really be able to reach their full potential, I do think over time we’re going to have to create more specific experiences.” An Events app that helped you find fun things to do around you as well as manage your invites could be a killer tool you can’t get elsewhere.
There’s also a ton of monetization potential in event discovery. Concert halls, conferences, clubs, and bars might very well be willing to pay to get their events injected into Facebook’s suggestions.
While it might seem counter-intuitive, getting people off the computer and out on the town is productive for Facebook. Events are where you meet friends that strengthen Facebook’s social graph, and take photos to share back, and interact with Businesses you could Like. If Facebook can be the portal to fun IRL experiences, it will win a place in your heart.
And finally, Events help Facebook achieve its mission to connect people, and fights the perception that it actually isolates us. The Events feature has quietly become one of the social network’s most critical over the years. Seems Facebook is finally ready to celebrate it.






Source: TechCrunch
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Windows Phone’s Market Share In The United States Isn’t Growing

The latest data from Comscore regarding the United States smartphone market isn’t great for Microsoft. The company’s Windows Phone platform managed no growth, ending the May period with a 3 month market share average of 3.4%, the same level that Comscore reported for the platform in February.

Android was flat, Apple picked up 0.6%, and Blackberry lost 0.6%. Android and Apple, however, control nearly the entire United States market, so to see little motion from them is hardly surprising. For Microsoft, which has invested billions into its mobile strategy, maintaining market share isn’t enough — it needs to grow.
Microsoft has seen some international success with Windows Phone, but given the importance of the United States market in terms of developer density, the company can’t afford to neglect its backyard. Microsoft recently announced an OEM kit that may increase support for its mobile platform.
Windows Phone or bust, you could say. Redmond recently deployed more than $7 billion to buy Nokia’s hardware business, in hopes of spurring its mobile efforts. It’s certainly true that as it has aged, Windows Phone has improved.

What Microsoft can do to breakthrough in the United States isn’t clear. The company’s recently announced Windows Phone 8.1 software update contains a number of new features, including Cortana, a voice-activated digital assistant most often compared to Apple’s Siri.
Now that the Nokia deal has closed, Microsoft can execute whatever strategy it’s had on tap. We’ll see the impact of that effort in the next set of data.

Source: TechCrunch
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eCommerce magento e-commerce eBay-Owned E-Commerce Platform Magento Shuts Down Services Aimed At Smaller Retailers



E-commerce platform Magento, owned by eBay’s Enterprise division, is closing down two of its products designed to reach small to medium-sized online retailers: Magento Go and ProStores. The company has posted notices and informational guides on both product websites, directing current customers to “Migration Center” dashboards and various FAQ’s that will help them move their businesses to other platforms.
Combined, the two products include around 10,000 merchants.

Bought by eBay in 2011 for over $180 million, Magento is now telling customers via email that the move to shut down these products “was not an easy decision and we understand it may not be welcome news.”
The company also says that the two products will not go dark until February 1, 2015 – well after the busy holiday shopping season, during which time the sites will continue to “operate and perform normally” and customer support will be provided.

However, affected Magento customers can make preparations to migrate their stores ahead of the holidays, if they choose. To aid in the transition, eBay named competitor Bigcommerce as its official migration partner, in part because the company already has experience porting Magento customers to its platform.
In an announcement, Bigcommerce notes that it has already moved over 6,000 ProStores customers to its platform previously, alongside 6,000 more customers from other competitors. It also supports tight integration with PayPal and the ability for clients to sell on eBay, which is what many of the booted merchants will be looking for. Bigcommerce today has over 50,000 customers, and will be offering special incentives to those arriving from Magento, it says.

In a related statement posted online, Mark Lavelle, SVP, Product and Strategy at eBay Enterprise explains that Magento is making this move in order to focus on Magento Enterprise Edition and Magento Community Edition which he positions as “two solutions that better support and better equip small and medium size merchants to prosper in the evolving and increasingly competitive eCommerce landscape.”
However, Magento Community, the open source version of the Magento platform, is generally aimed at larger retailers who need more flexibility with their code. And of course, Enterprise Edition, as its name implies, is not aimed at those with smaller shops, but rather those with millions in online sales.

In the documentation shared with Magento Go site owners, the company explains that “changing market requirements” were a significant factor in its decision to close things down. Meanwhile, the newer versions of its flagship products will offer features not available in Go, it notes, including a new responsive design reference theme, and new payment options to streamline checkout.
Magento, as you may recall, saw a number layoffs earlier this year, with nearly 50 jobs cut from the e-commerce division, according to reports.

And though Magento now stresses in that same client document that it “remains committed to small and medium size businesses,” its move to focus on platforms that generally serve much larger clients says otherwise.

source: TechCrunch
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